Showing posts with label William. Show all posts
Showing posts with label William. Show all posts

Friday, 7 March 2014

Wexy comes out of the depot

If you have any interest in Waterloo the one thing you have to do in the next few months is go to Dordrecht and visit the exhibition on the art collection of king Willem II. Willem was an avid collector and connaisseur, but after his sudden death in 1849 the collection was sold to cover his debts. It has been partly reconstructed for this exhibition.

From the Dordrecht Museum website
The special guest in the exhibition is Wexy, Willem's longtime favourite horse. He rode it at Waterloo where Wexy was wounded. The horse lived on to ripe age, but even then Willem couldn't part. Wexy's body  was preserved and remained in Willem's collection, but was also dragged around Ghent after Belgium split from the United Kingdom of the Netherlands to garner support for the Orange family.

These days it is mostly locked away so this is a unique opportunity to see Willem's faithful charger.

Wednesday, 5 February 2014

Weather Vanes: the Art of Changing Sides

Mattijs Lok: Windvanen. Napoleontische Bestuurders in de Nederlandse en Franse Restauratie (1813-1820)

A study of the political survival of Dutch and French members of the Napoleonic regime during the Restoration. This book draws its strength from the comparison between the two countries, the analysis of the rite de passage that was inherent in crossing the political lines and the description of the popular press criticising the ´weather vanes´.



Despite the political revolution of 1813/1815 many bureaucrats, officers and senior politicians remained in office. How did they manage? Over the course of the regime change, the senior politicians were able to shape the events by shifting their loyalty. They did not all do so at the same time and not always out of conviction. But by their conversion in a period when the new regime had not settled they moved the scales in the right direction, thus ingratiating themselves with the new rulers.

The new regimes needed experience bureaucrats and, being still weak, had no ambition to create an internal opposition from the start. Also, both Willem Frederik and Louis XVIII had previously sought Napoleon’s favour themselves so they could not claim the moral high ground.

There was also a striking continuity in the institutions of the old regime, despite public displays of the restoration of the ancient regime. The Napoleonic legacy was not only popular enough that a real return to the old institutions would have created such unrest as to unbalance the fledgling monarchies, the bureaucracy was also very useful to the Louis and William. The imperial system of government was a top down authoritarian administration subjected to the needs of the emperor and the military. It gave the restored monarchs more power than their ancestors had had before the revolution.

But there was such a broad sense of unease that much of the Napoleonic bureaucracy remained that this continuity was downplayed as much as possible while stressing the need for unity and reconciliation. This narrative was enforced so strongly in the Netherlands that opposition to King William was stifled for years.

But discontent could not be suppressed entirely. The most committed supporters of the returned Houses of Bourbon and Orange could not hide their disappointment. Not only did they resent that former opponents went unpunished and were even rewarded, but more so they lamented that their suffering for the cause had gone unnoticed. They had sacrificed their careers for their convictions and now felt insufficiently compensated. They took out their revenge on the weather vanes by publicly holding them to account for their lack of conviction.

A successful conversion went to several phases. The first (optional) step was a request to the old ruler to be relieved from the oath of loyalty. Next a letter was written proclaiming adhesion to the new rulers. This was often a convoluted document defending the choices for former regimes in the past. Most times this was followed by an invitation from the new prince to enter his service. This later involved swearing a new oath. The monarch later confirmed the union by continuing the noble titles from the Napoleonic regime or awarding new. Knightly orders were also instituted so the king could express his gratitude.

The move from regime to regime was by no means an easy one. In the Netherlands it took several weeks before it became clear that the rising against French rule would succeed, and many preferred to bide their time before committing themselves. In France the dismantling of Napoleon’s rule in April 1814 was more rapid, but complications erupted as the emperor returned. It forced politicians, bureaucrats and officers to make difficult choices twice in three months.

And so it went wrong occasionally, as in the cases of Dutch admiral Ver Huell and bureaucrat/general Dirk van Hogendorp. Ver Huell eventually ended up in the French Chamber of Peers, but Van Hogendorp met a tragic death in Brazil. In France marshal Ney was the prime example of failure to choose wisely. He died in front of a fire squad.

The second restoration of the Bourbons was in any way more traumatic than the first and the Dutch. To the reactionary ultra monarchists the reversal of many bureaucrats to the returned emperor was a betrayal of the magnanimous treatment they had been offered in 1814. This inspired the ultras to sweeping purges of a quarter to a third of all French bureaucrats. In some parts of the country this even escalated into mass arrests, and occasional murder and lynching. Although Louis and his government discouraged these excesses, they were nevertheless tainted by them and their legitimacy of their regime was weakened as a result.

Although this book focuses almost exclusively on the civilian side of the bureaucracy, there are some interesting bits on the military and the rite de passage analogy is readily applicable to army officers. Maybe I can use it to analyse letters by Dutch officers in the National Archives in The Hague.

Thursday, 7 February 2013

All is fair in war and love... and history

History can be harsh on the powerful, and it's part and parcel of being up on the hill. But some 'great men' (and a disproportionate amount of great women) get a worse treatment than others and that may be a bit unfair.


Even redemption at the hands of the press may come in unfair ways. King Richard III owes much of his new popularity to the novelty of his discovery under a car park in Leicester. A surprising PR move for a man more used to riding horses on unpaved roads.

Humble Scribe, in another excellent post, asks the question why King John has not received a similar revival. While the historical record has been very negative for him, this is largely due of him not being around and his haters holding the quill. John was an able administrator and general as recorded in Ralph Turner's King John: England´s Evil King?, but this is overlooked because of his major character failings.

Popular perception might have to do more with representations in literature and movies than history books. As many people have noted, Shakespeare has been instrumental in demonising both Richard III and John, while Walter Scott's depictions of John and his henchmen in Robin Hood confirmed this in the 19th century. 20th century writers and directors have used these images rather than provide reinterpretations.



This durability of historical stereotypes is also manifest in the appreciation of Willem, Hereditary Prince of Orange and later King Willem II of the Netherlands. Demetrius Boulger, in his 1904 article on 'the Belgians at Waterloo' notes that Siborne, Maclachlan and Alison have been the principal culprits in attributing the failures of the campaign to the Netherlands troops and Willem in particular.

But according to Boulger the greatest damage was done by Thackeray reproducing them in Vanity Fair. And it is easy to see when British writers in the 1960s and 70s uncritically adopt this perspective. Luckily, the image is now being rectified somewhat (of course, Willem hasn't suddenly become a great commander) by closer study of individual accounts of the battle.

By the way, if you're on facebook and have an interest in restoring King John to his rightful place in history, why not join the King John Appreciation Society?


And as a fitting farewell to King Richard, the song dedicated to him by Supergrass. A fittingly brilliant one!

Wednesday, 31 October 2012

The Hero of Waterloo, part II plus Hermitage


Last Sunday we went to the Hermitage in Amsterdam to watch the Van Gogh collection that’s temporarily housed there, as well as a nice collection of impressionist and contemporary paintings.

In the museum shop I picked up a book by Michel Didier, De Ridder en de grootvorstin. Kunst en leven van Willem II en Anna Paulowna. This can be loosely translated as The knight and the Grand Duchess. Art and Life of … The book looks at this couple mainly from an art historical viewpoint, but includes a lot of biography. The advantage is that this also brings a lot of illustrations.


Willem was rarely out of uniform, nor were his sons

For me the interesting bits were how Willem’s actions at Quatre Bras and Waterloo were remembered in Dutch (and foreign) art. It’s not my style of poetry or painting, and its purpose didn’t lend itself well to better characterisations of the man. But it illustrates well how Willem's military successes (deserved or not) served the nation building and legitimacy of the Orange monarchy. 

Didier is not too sure on military details, as even I could spot. It is unlikely that Willem would have received his honours for the battle of Nivelles already in 1814. Willem’s tactical abilities are not questioned but his bravery is highlighted.

The book also glosses lightly over the darker side of Willem’s life, the many scandals, affairs and schemes and his political failures. I think this book (and publisher, from the other books it publishes) is aimed at the loyal monarchist crowd and therefor not too critical. What does get a fair amount of attention is the difficult relationship with Willem’s father and other family relations, as well as dynastic concerns.

So not much to recommend it to military historians, unless you have a particular interest in the artistic expressions rendered in tribute or in commission of Willem. Or if you are a loyal monarchist, of course.

Of course, this book was in the shop because of the link between the Netherlands and Russia, as the Hermitage's home is in Petersburg. 

A interesting combination of two great artists:Van Gogh's 'copy' of a woodprint by Hiroshige

The Van Gogh collection is amazing and charts Vincent’s progression as an artist in detail. From his peasant painter period to impressionism to expressionism, continuously learning and adapting his style. And all this in the span of only 10 years. He must have been an exceptionally driven person.



It's hard to capture the mastery of this painting, as the picture of a postcard dulls the colours, but you can see how the strokework emphasises the lightfall

We also enjoyed the exhibition on the impressionists. I enjoyed how the exhibition opposed the impressionist with the established art from the Academie Francaise and how the impressionist were forced to create their own parallel network of exhibitions. I found it telling to see that many of the impressionist, such as Renoir, still attempted to gain access to the Academie, and thus to the galleries and collectors.

The exhibition really mixed impressionism, conventional artists and contemporary event very well. You get this view from the perspective of Russian art collectors that have wound up in the Hermitage collection.

If you're in Amsterdam in the coming months, I highly recommend you add this to your programme.

Friday, 15 June 2012

The Hero of Waterloo? part I

Lately, I've been reading several books on the Waterloo campaign as a friend of mine is doing a biography of Dutch king William II, who fought in the Peninsula and at Quatre Bras and Waterloo. Friend's given me the Waterloo chapter in manuscript for a military history check. You can imagine how happy I am to help out!


William, then known as Prince of Orange, has a bad reputation in the English press, as many cock ups in the field are blamed on him. This new book (based on new research of primary resources from all participant nations) puts all that into a different perspective. It is supposed to be published in 2013 for the celebration of 200 years of The Netherlands. At some point (2014/5) the parts on the Napoleonic Wars are hoped to be published in English as well.

Looked at Geoff Wootten's Waterloo from the Osprey Campaign series, Haythornthwaite's introduction to Uniforms of Waterloo, Chandler's Campaigns of Napoleon and Hofschroers 1815 Waterloo Campaign, plus George Blond's La Grande Armee.


Chandler's book is still the standard work in English on Napoleonic warfare, even though published more than 45 years ago. You can easily trace his influence through other English accounts of the battle. However, the absense of German and Dutch sources (even those published in French) is a considerable limitation. Chandler can be a bit critical of Wellington when it comes to his deployments on 15th and 16th of June. The Prince of Orange only features in his narrative of Quatre Bras, not very condemning, so the negative attitude displayed by Haythornthwaite and Wootten must come from another source. I guess Siborne. It wouldn't be surprising if British officers after the war tried to put all problems at the door of a foreigner.


Haythornthwaite's book, first published in 1974, is of course more about uniforms and considering the references don't think the author did a lot of research on his account of the campaign and battle. No foreign language sources. The Brits are great, the Dutch-Belgians doubtful and William plain rubbish. Wellington of course can do no wrong.

Wootten ( the original publication is from 1992, I have a 2005 edition) still writes for a primary English audience but with more tactfull treatment of the allies. Book list not much improved on Haythornthwaite's. The Brits are still great, the Dutch-Belgians remain doubtful but William is now just inexperienced and doesn't seem to have so many battallions run down by French cavalry. He also notes that the Dutch held on to Quatre Bras in direct violation of Wellington's orders.


Blond's Grande Armee (published in French in 1979 and translated in 1995) hardly notices there being others than British at Quatre Bras and Waterloo, so wasn't much use.


Hofschroer (1998) is a different beast. It includes German, but also English and even a few Dutch sources. The Hof notes that William spend 2,5 years on Wellington's staff in the Peninsula and is therefor not totally inexperienced. Hofschroer mentions him generally in a positive light: leading the troops at Quatre Bras from the front, and doesn't point at his presumed mistakes. But as Hofschroer's objective is not a close description of the military events of the Anglo-Dutch army, William mostly appears as a conduit of Wellington's misinformation to the Prussians. Since the book is mostly a revision of English dominated historiography of the campaign, Hofschroer is critical of Wellington's conduct of the campaign and his dealings with the Prussians.